Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Sunday, August 1, 2010

Joaquin Sorolla, The Painter of Light

"Light is the life of everything it touches." - Joaquin Sorolla

This is the essence of the Spanish Realist and Impressionist painter, Joaquin Sorolla y Bastida (1863 - 1923). The exhibit on display at the San Diego Museum of Art is a striking collection of turn of the century impressionistic work.

Sorolla's paintings depict people in tranquil settings. He painted outdoors to enhance the effects of light and recreate the image as accurately as possible.Sorolla became well-known for his ability to use light to bring his paintings to life. Sorolla's depictions of everyday scenes are particularly compelling. He captures frames of continuously moving life in his magnificent canvases.

He chose to paint scenes of children playing in the ocean waves and ladies leisurely spending their morning in the garden. The subject's attire seems to be the obvious clue to the time period of otherwise timeless images. The collection is a moving reflection of life nearly 100 years ago.

Maria, his daughter, dominates several of the portraits. Sorolla was devastated when she became ill with tuberculosis and remained sick for an entire year.
Several of the portraits of Maria during her illness are included in the showcase and each distinctly express his emotion through color and light - either with remarkable vividness or the lack thereof.

Sharply contrasting works are the dark portrait of Maria Sick (1907) when she initially became ill and the colorful life-size painting of her that is titled Maria at La Granja (1907). Here Maria stands as a beautiful young woman when she was completely recovered (left). Reflecting on this portrait, one can sense the strong bond Sorolla shared with his daughter. Maria at La Granja gives one the feeling that the image portrays Maria as her father always saw her.

The Portrait of Mr. Taft, President of the United States (1909), is an ideal example of the methods Sorolla used to convey the personality of his subjects. Taft's cheery expression is depicted with large sweeps of the brush that give him a relaxed easy feeling.The president, who spoke Spanish fluently, commissioned Sorolla to paint his portrait and chatted with Sorolla as he recreated his jovial image."With nature in front of us we can do everything well," the artist once said. Sorolla's confident attitude is noticeable in his work.Sorolla's appreciation for natural beauty and a peaceful atmosphere are an inherent part of his artistic style and testimony to why his paintings feel so relevant today.


All paintings by Joaquin Sorolla. In order of appearance: Sewing the Sail (1896), After Bathing (1908), Maria at La Granga (1907), Portrait of Mr. Taft, President of the United States (1909).

Photo sources: Sewing the Sail, deseoaprender.com; After Bathing, art.com; Maria at La Granga, sdmart.org; Portrait of Mr. Taft, President of the United States, c
ommons.wikimedia.org

Monday, April 20, 2009

Presenting Mixed Media

This past weekend I attended a collage composition class taught by a talented local artist, Connie Andrews. My goal was to learn more about the myriad materials available to paint photographs and discover some basic principles about collage.


The artwork that I produced in class is shown here, although I didn't feel that it was truly finished, so I kept working on it when I got home.

If you have read my writing blog, you'll know that I am an admirer of impressionistic painting and I've written an article about the Spanish painter, Joaquin Sorolla. I love his use of light on water and the life it brings to an image.

When I took this photo, it reminded me of an impressionistic painting -- even through the viewfinder as I pressed the shutter button. I took a series of shots and I know they will materialize again in my portfolio.

Although the photo is in color, it actually appears to be a black and white image. So, I chose to embellish with bright and metallic acrylics. My compositional goal is to draw the eye to the figures in the water and follow the elements down to the left, then clockwise.

Using no less than ten different colors, I worked the paint to subtly follow the arc of the father's back and draw the eye down to the child and their feet in the water.

I love how the zigzag of light reflecting on the water follows the line of the child's hand.

The elements are collaged onto canvas board and include my original photograph; textured and tissue paper; paper napkin; stationery; map; paper daisy; and artists' paper.

I'll be producing more of these types of paintings to add a new dimension to my photographic work. I welcome your feedback.